Catapults to Cameras: A Simplistic Lens on Complex Conservation Challenges in India
Sunita Narain, director general of New Delhi-based Centre for Science and Environment (CSE), was the chairperson of the task force. She was also my editor at the Down To Earth magazine where I was a reporter. Storytelling from the heartlands of our country is extremely complex. The narratives have shades of grey and defy the simplistic evil vs virtuous stands. There are Waghoba shrines in forest areas dedicated to tigers/leopards that are worshipped by the local communities; there are also festivals, like the Sikari Utsav, which celebrate hunting. My first encounter with this paradox was 20 years ago, in 2005, at the Melghat Tiger Reserve in the Vidarbha region of Maharashtra. It was when the Ministry of Environment and Forests (Project Tiger) had set up a task force to review the management of tiger reserves in the country. Battlelines had been forcibly drawn between the big cat and the local forest communities that were being displaced for the conservation of the tiger. Sunita Narain, director general of New Delhi-based Centre for Science and Environment (CSE), was the chairperson of the task force. She was also my editor at the Down To Earth magazine where I was a reporter. The situation was tense at Melghat where I visited several villages bordering the core area and within the buffer zone of the tiger reserve. Churni, Pastalai, and Vairath villages were slated for an immediate relocation and rehabilitation. The Gawli community, traditionally cattle rearers and milk supplies inhabited Churni and Vairath, and it was the Korku tribe that lived in Pastalia; most of them practised subsistence farming. These communities claimed they had lived in the forest lands alongside wild animals for generations. The cattle belonging to the Gawlis grazed in the jungle. The villagers were being evicted from the forests to save the tiger, whom they worshipped as waghoba. “Till now we used to live with the bagh [tiger] and did not disturb it. But now if I see a bagh, I will shoot it down because it is forcing us to turn homeless,” an elderly member of the Gawli community from Vairath told me. The government had made alternative arrangements for these villagers but most were unhappy with the rehabilitation package and the ‘poor’ quality of land that was allotted to them. Villagers of Vairath were allotted land in a river! I remember struggling to write that report. It was a complex situation. Should one ‘side’ with the government and conservationists who wanted the forest-dwelling communities out of the forest to protect a flagship species. Or, should it be about the rights of the Adivasis and forest dwelling communities who have lived there for generations and have known no other home? Their lives and livelihoods directly depended on the forests. My editor Narain, sensing my conflict, advised me, “Just write what you found out and what the villagers and forest officials told you. Conservation in our country is a complex matter and there are no easy answers and simple solutions.” These words have stayed with me and guided me as I tread the path of an environmental journalist. Every new story that I have reported on, has presented another complex facet of conservation in the country. One of them is about the hunting festival in West Bengal held during the dry season (March-May) in the districts of Jhargram, Paschim Medinipur, Bankura, Purulia, and Birbhum. As part of this annual hunting festival, thousands of men and boys, armed with bows, arrows and catapults, enter the forests to hunt wild boars and wild hares. In her film Catapults to Cameras, a 40-minute film produced by RoundGlass Sustain, director Ashwika Kapur, a Kolkata-born wildlife filmmaker says, “It is an unnerving sight. Villagers return from the forest carrying hoards of dead wild animals and birds. Anything they find moving or crawling in the forest, they kill it. It is gory and shocking because such hunting is banned.” Catapults to Cameras was recently screened at the National Centre for Performing Arts (NCPA), Mumbai. Post screening, the filmmaker joined the audience virtually for an interactive session. RoundGlass Sustain is a not-for-profit initiative that tells stories of India's natural world to document science, create awareness, and support conservation. Kapur said that the film sets out on a deeply personal quest to uncover the roots of an illegal wildlife hunting festival in the forests of her home state, West Bengal. She described the annual hunting festival as an illegal blood sport, where thousands of protected animals are massacred.
